Link to an article by Niamh Hayes & Richard Seymour:
Month: November 2014
Reprieve – US Drone Strikes Kill 28 Unknown People for Every Intended Target
Link to a press release on a report by the group Reprieve:
“US Drone Strikes Kill 28 Unknown People for Every Intended Target”
The Rolling Stones – Goats Head Soup
The Rolling Stones – Goats Head Soup Rolling Stones Records COC 59101 (1973)
After the artistic triumph, and commercial failure, of Exile on Main St., The Rolling Stones brought forth the thoroughly mediocre Goats Head Soup. It is essentially an entire album filler (though “Dancing With Mr. D.” is at least good quality filler; it would have fit on Let It Bleed). “Angie” shows up on some best-of compilations though it is a very weak song. On many of the songs the guitar solos seem downright lazy. This was their worst studio effort so far by quite a large margin. It rocks about as hard as gym class, and the songwriting flirts with inspiration only on a momentary basis. Mostly this feels as contrived and inauthentic as a political photo op. Sorry sports fans, but this set the stage for a lot of what came later.
Sunn O))) – Monoliths & Dimensions
Sunn O))) – Monoliths & Dimensions Southern Lord sunn100 (2009)
Uneven, yet also showing the promise that doom metal might be able to expand to entirely new territory. First the bad, then the good. The album’s weaknesses are that “Hunting & Gathering (Cydonia)” is a rather poor song and that the cheeseball vocals on “Aghartha” tarnish an otherwise decent song. As for the good, “Big Church [megszentségteleníthetetlenségeskedéseitekért]” shows the band trying new things, in this case adding vocals that wouldn’t sound out of place on Steve Reich‘s The Desert Music. The real highlight, though, is the closer “Alice”. Rich in its sonics and surprisingly light on guitar rumble, it is something totally new. Jazz legend Julian Priester makes a guest appearance, and perhaps the most astounding thing about Monoliths and Dimensions is that the last track makes comparisons to fusion, like Priester’s Love, Love, seem, if not directly relevant, like something plausible enough for consideration. In the end, the good outweighs the bad, and at the very least this album opens a door for things yet to come, should the band be willing.
The Rolling Stones – Out of Our Heads
The Rolling Stones – Out of Our Heads London LL 3429 (1965)
There was something in early Stones records that wasn’t in early Beatles records. The Beatles seemed to pick up Afro-American songs and meander through white bread renditions that tended to conform to a white bread middle class lifestyle, tending to unwittingly bleach the black out of them. The Stones had more enthusiasm in what they did. Playing a Marvin Gaye or Solomon Burke song gave the Stones opportunity to share in a “break-free” attitude that was becoming a centerpiece of rock ‘n’ roll. The Stones added their own personality to their records, sometimes by accident, but they always found what was eternal in the soul of American rock ‘n’ roll songs. Just because Mick Jagger and Keith Richards became such noted songwriters doesn’t mean the beauty of their performance of others’ songs should diminish.
“The Last Time” is side one’s hit. Side two opens with “Satisfaction.” The songs of less popular distinction are still amazing. “The Spider and the Fly” is a fantastic delta blues number probing the immobility of the moving rhythms. It was the B-side to “(I Can’t Get No) Satisfaction.” It also is the kind of song the Stones needed more of in the years after Brian Jones. “The Under Assistant West Coast Promotions Man” is a smooth number at a medium tempo. That song wouldn’t work as a single but it does so much for side two of the album. There is positive energy always coming through.
This is a record with no pretensions. Later Stones albums get more hype but they generally don’t have the offhand, hurried and unguarded charm of Out of Our Heads. The high and low cool of Keith Richards’ guitar is like no other joy. Set against the unidentifiable genius of Brian Jones the Stones ramble on with Mick Jagger strutting past his agony as if he would never consider whether it could overtake him. On Sam Cooke’s “Good Times,” Jagger sings with credulity. His voice feels right–graceful enough. In a way you don’t ever consider proving since every instinct says you can trust it, it comes from a good place.
[Note that the UK version of Out of Our Heads, which came out after the US version, did not have the hit singles on it and added tracks from December’s Children (And Everybody’s), which was not released in the UK. The UK version of Out of Our Heads may be the better album.]
Willie Nelson – To All the Girls…
Willie Nelson – To All the Girls… Legacy 88765425862 (2013)
Willie Nelson has kept touring and recording a hell of a lot longer than anyone ever would have guessed. Many of those later-career recordings are decent but not of much consequence. They feel tossed off and somewhat lazy. But returning to a major label he has recorded a few albums in recent years that sound much more elaborate and polished than what he was doing in the early 2000s. Another problematic feature of his recent work has been the gimmicks, from stupid genre exercises like the reggae album Countryman to faddish, star-studded guest performer albums like The Great Divide. He’s made some dubious choices when it comes to quality control. But he’s still a guy with a great voice, and when he pulls himself together and puts forth some effort he’s still capable of good things. Against the odds, To All the Girls… is an unlikely late-career success. The title reflects that each song features a different female guest performer. There is a certain stylistic diversity, allowing individaul songs to lean on the strengths of the guests — from a Bill Withers cover with Mavis Staples to western swing with Shelby Lynne. But much of this has an easy listening feel — appropriate given that Willie is now eighty years young — and he comes across as more engaged with that sort of a sound than just about any time in memory. Nothing here jumps out as particularly notable. But Willie has hardly made an album this consistently listenable from top to bottom in more than a decade. There is a gentle touch in the recordings that suit that approach quite well, with unobtrusive strings and other little embellishments that enrich the performances without taking away from the singing and guitar solos that rightly remain the focus. The guest performers for the most part all turn in nice performances (the biggest dud being the outing with his daughter Paula Nelson), and the song selections are appropriate ones for both Willie and the guests, which is perhaps the most difficult aspect in pulling off a project like this. If you can handle Willie’s more polished and lighter tendencies then you might well rank this as his best since 1998’s Teatro.
Ralph Nader – Big Pharma—Crony Capitalism Out of Control
Link to an article by Ralph Nader:
Robert Locke and J-C Spender – Confronting Managerialism
Robert R. Locke and J-C Spender, Confronting Managerialism: How The Business Elite & Their Schools Threw Our Lives Out of Balance (Zed Books, 2011)
Robert Locke and J-C Spender have written a rather excellent book focusing on the history of what they call “managerialism” (a term they adapt from Alfred Vagts‘ concept of “militarism”) in the United States. Their specific formulation of the concept of “managerialism” is quoted from an earlier article by Locke; it is:
“What occurs when a special group, called management, ensconces itself systematically in an organization and deprives owners and employees of their decision-making power (including distribution of emoluments) — and justifies that takeover on the grounds of the managing group’s education and exclusive possession of codified bodies of knowledge and know-how necessary to the efficient running of the organization.”
Much of the book consists of comparisons of businesses and schools in the United States (plus the UK), Japan and Germany. What they conclude is that the ideology of short-term, predatory financial gain without regard for a firm or economy as a whole that predominates in the United States is not as prevalent in Japan or Germany. They find better outcomes, in terms of factors like firm longevity and well-being of workers, outside the United States. Their strength is a very even-handed tone, backed by ample research. The cover of the book and the series title “economic controversies” perhaps make this seem like a harsh screed or a sensationalist tract. No doubt, this is polemic to a point, but the authors largely let history speak for itself, and spend most of their effort pulling together data that tends to be ignored or concealed by business schools. Nothing about that approach is inflammatory, and their conclusions are extremely moderate (nowhere do the authors suggest abandoning capitalism, for instance). Ultimately, their conclusion is that business schools in the United States, which don’t exist in the same form elsewhere in the world, have an overall negative effect on business and society, and they think management in U.S. companies should be more inclusive of people with backgrounds in production. Although they don’t spend many pages advocating any particular system of business management, other than to try to discredit the application of neoliberalism, one detects sympathies for the kinds of Rhineland capitalism of Germany (as Locke has written about elsewhere) or the W. Edwards Deming-inspired, engineering-led “total quality” management approaches of Japan. They see those other countries as providing better “balance” between competing interests of managers, owners and employees than in the United States. For that matter, they see the software and computer companies of Silicon Valley in the United States outperforming East Coast businesses.
The book’s rather direct treatment of morality and ethics, as a symptom of business school ideologies, is welcomed. There is a fairly frank discussion of how much of contemporary business practice has to do with power — who has it and who doesn’t. Management in the United States acts as a caste that posits they have valuable but still generic “management” skills that uniquely position them to hold a disproportionate amount of power, to the exclusion of workers, etc. The authors contrast Japan, where management tends to rise through the ranks and have a greater understanding of substantive operations across entire companies. They carry this analysis over to the ways in which business schools operate, and note how academic “prestige” is a rather direct counterpart to the more purely economic power of businesspeople. The authors also delineate how religious practices contrast sharply with the types of amoral, ethics-free neoclassical economics adopted by modern American business schools. They provide intriguing evidence of how religion in America has shifted from ones that emphasized social responsibility and charity to ones (often located in suburbs) with an egotistical focus on the salvation of believers. They also mention the reintroduction of Confucianism to Chinese state capitalism, and resistance of Islamic economics to neoclassical economics. It is somewhat unclear whether the authors believe religion, either generally or in specific forms, is a countervailing force that can push back against business in a pragmatic sense, or if it even should — more interesting questions since the Catholic Pope Francis started speaking out against unfettered capitalism and inequality in 2013. This is somewhat of a loose end in the book.
The comparisons being limited to Japan and Germany naturally provides only a limited range of data. We get nothing from Spain, Brazil, India, Canada, or France, for instance. It would be informative to take Locke and Spender’s analysis and apply it to other countries, to see how they compare.
As is common with writing of this sort, there are some recommendations at the end. And as usual, it is possible to accept all the detailed analysis of historical parameters without necessarily accepting the policy recommendations. Still, Locke and Spender suggest reforms of corporate management structures into discrete supervisory and management levels that require employee participation (as in Germany) and that prevent control of both levels by a single CEO. They make an intriguing argument there, noting that business schools and business leaders would absolutely fight these things because they would diminish their power. Yet they also present a compelling basis for why so many other groups, like ordinary workers and absentee shareholders, have aligned interests that might provide a path around the business school trained managers. Still, in the last few pages they make statements about how no one today is advocating for centrally planned economies. Really? (though perhaps this depends on what you interpret “central planning” to mean). Contemporary evidence from Venezuela, Bolivia, Cuba, even Egypt and Occupy Wall Street might suggest otherwise. Even just within Germany, a recent poll found that a majority of residents of the former East Germany would prefer to return to communism. A major publisher also released a book about imagining living in a socialist USA. While Locke and Spender advocate for flatter, more equal management structures than predominate today in the USA (Spender co-wrote a later book, Strategic Conversations, along those lines), there is a curious lack of evidence as to whether Germany and Japan present any sort of optimal balance in that regard. The German school system may be better than the United States, but could Germany do even better? What would a comparison to the worker-owned cooperative Mondragon in Spain add to the discussion, when it potentially has an even flatter organizational structure than is typically found in Germany and Japan? Do the sorts of German employee participation is supervisory roles resemble the kinds used in the former Yugoslavia, which arguably pitted workers against each other? Hasn’t the German works council and co-determination model been exposed as something of an illusion, using Volkswagen as an example? Or perhaps take this critique:
“Today, the two superpowers, the USA and China, relate more as Capital and Labour. the USA is turning into a country of managerial planning, banking, services, and so on, while its ‘disappearing working class’ (except for migrant Chicanos and others who work predominantly in the service economy) is reappearing in China, where the majority of US products, from toys to electronic hardware, are manufactured in ideal conditions for capitalist exploitation: no strikes, limited freedom of movement for the workforce, low wages. . . . Far from being simply antagonistic, the relationship between China and the USA is, at the same time, deeply symbiotic. The irony of history is that China fully deserves the title ‘workers’ state’; it is the state of the working class for American capital.”
The authors don’t really get into the modern practice of using outsourcing to shed responsibility, inscribing discrimination, exploitation and an imbalance of power into the mere existence (but precisely not the explicit terms) of contracting agreements across national borders.
These questions would require a much lengthier book. It is, however, fair to raise these concerns because the subtitle of this book posits that managerialism “threw our lives out of balance.” This implies that our lives used to be in balance, or at least that the authors know what a proper balance would look like. It also raises the question of whether, say, Chinese and East Asian laborers are part of this “us” (“our”). The pseudo-global perspective of the book does come up a bit short there, fitting the theoretical frame to the author’s geographically-constrained background knowledge — like a tailor fitting a suit to the available cloth regardless of whether the suit fits the wearer. But, on the other hand, contrary to the book’s provocative subtitle and cover image, the book sets its sights on something rather more specific: proving that — contrary to its claims — U.S. business school managerialism is not optimal on its own terms (they don’t try to quantify how sub-optimal it is).
Suffice it to say, Locke and Spender present convincing evidence that the current organization of business management and business schools in the United States is not optimal. The current system benefits only management and its academic cohorts. They obliterate the notion that the system of business management used in the United States is inevitable, or that there is no alternative (TINA). The authors’ exposition of the issue is as clear as can be hoped, in an area in which obfuscation too often dominates. Most importantly, they draw out the question of power that is routinely (and, for some, conveniently) ignored in the business world. They also provide more extensive historical research than most commentators in this area who have drawn similar conclusions.
Further reading: Edward S. Herman, Corporate Control, Corporate Power; Adolph Berle & Gardiner Means, The Modern Corporation and Private Property; James Burnham, The Managerial Revolution (this book earlier coined the phrase “managerialism”); Willard Enteman, Managerialism; Alfred Chandler, Jr., The Visible Hand; Matthew Stewart, The Management Myth; V.I. Lenin, Imperialism: The Highest Form of Capitalism
Dave Lindorff – NY Times Report Documents Metastasizing of the Police State of America
Link to an article by Dave Lindorff:
“NY Times Report Documents Metastasizing of the Police State of America”
Julius Hemphill – Dogon A.D.
Julius Hemphill – Dogon A.D. Mbari MPC 501 (1972)
Although lots of narratives about jazz history ignore the Midwestern United States, Julius Hemphill and crew came along in the early 1970s in St. Louis, along with the AACM organization in Chicago, and made a case for the region’s relevance and importance. This is an amazing debut, released on Hemphill’s own M-Bari record label. The most distinctive feature is Abdul Wadud bowing and strumming his cello to a regular beat, which is matched against R&B tinged avant garde jazz soloing from the wind players. This music comes from a very different place than a lot of other jazz of the era, because it doesn’t seem to take the same sources of inspiration as artists operating on either coast. In forty years this hasn’t aged a day.