Link to an interview with Noam Chomsky:
Link to an article by Jacob Levich:
Link to an interview of Thomas Frank by Kathy Kiely:
Link to an article by Tom Slee:
Bonus links: “Raw Deals” and “Uber’s Consumer Democracy” and “Is Uber’s Business Model Screwing Its Workers?” and “NYC Taxi Driver Kills Himself at City Hall After Condemning Uber & Politicians for Financial Ruin” and “‘The Gig Economy’ Is the New Term for Serfdom” and “Meet ‘Sledgehammer Shannon,’ the Lawyer Who Is Uber’s Worst Nightmare” and “What’s Really New About the Gig Economy?” and “Uber’s Big Lie” and “Striking for the Future” and “Uber Takes a Hit in London” and “Amazon’s Last Mile” and “#DeleteUber for Good” (“Uber is … also about using its ‘tech’ branding to raise massive amounts of capital — so much that it could lose $5.2 billion just in the last quarter — to engage in a form of predatory pricing to drive traditional transport operators out of business and force regulators to remake existing laws in its favor. That fight is finally coming to a head.”) and Lehigh Valley Coal Co. v. Yensavage, 218 F. 547 (2d Cir. 1914), and “Why Courts Across the World Are Ruling That the Gig Economy Is Paving the Road to Serfdom”
Ryan Adams covers Taylor Swift‘s entire album 1989. The basic sound here is the increasingly slick 1970s rock flavored alt country that Adams has favored on recent studio albums. That is fine, unto itself. But if there was anything to like about Swift’s original album it certainly wasn’t the douchebag narcissism and malevolent mythologizing that sustained its songwriting. So Adams keeps that part and jettisons the rest. It kind of would have been more interesting if Adams had written new lyrics and sung them over the same music as Swift’s album. But Adams tends not to have good ideas like that.
This is a much more overtly political album than Sole’s previous — and probably best — album Selling Live Water. It isn’t nearly as successful. Though there are good intentions everywhere on this disc, the music/beats aren’t always compelling. I saw Sole live touring on this album, and he had a live band with him. Frankly, many of the songs sounded better with the live band (the title “Live From Rome” alludes to the fall of the Roman Empire as a parallel to or hope for the fall of the American Empire; this is not a live recording). The thundering “Dumb This Down” is probably the best here, but “Cheap Entertainment” is sort of subtly infectious. Almost everything here is decent, but newcomers should start elsewhere.