Link to an article by Benoît Bréville:
Douglas Allen – The Evolution of Malcolm X
Link to an article by Douglas Allen:
“The Evolution of Malcolm X: His Philosophy in the Struggle Against Racism and Injustice”
Damo Suzuki’s Network
Link to Damo Suzuki’s Network.
Barry Witherden – Ornette Coleman: The Primer
Link to an article by Barry Witherden from The Wire Primers (2009):
Michael Hudson – Bubbles Always Burst: the Education of an Economist
Leandros Fischer – From Papandreou to Tsipras
Link to an article by Leandros Fischer:
Bonus links: “Clinging to Power” and “Greece: a Chronology From January 25, 2015 to 2019”
The Gaslight Anthem – The ’59 Sound
The Gaslight Anthem – The ’59 Sound SideOneDummy SD 1358 (2008)
Sounds like a punked-up version of John Cougar Mellencamp. What this has to do with 1959, as referenced in the title, is anyone’s guess (mine is that it attempts to give this a retro credibility it doesn’t deserve). This is adequate, but no more.
Ray Davies – Other People’s Lives
Ray Davies – Other People’s Lives V2 VVR1035352 (2006)
Hey, an old guy making a rock album. Get me out of here! This kind of lends support to the truism that rock and roll is a young person’s game. There are a few rock songwriters/performers who can successfully work into middle age and beyond (Lou Reed). Ray Davies, Elvis Costello, The Rolling Stones and so many others are not among those few. For those who don’t know, Davies was the principle songwriter of The Kinks, penning songs that had the trappings of rock counterculture but with lyrics that were surprisingly politically conservative, of a kind of right-leaning populism. His version of counterculture was passed by long ago and this pathetic batch of songs is dreadful.
Eileen Jones – Clint Eastwood: The Good, the Bad and the Reactionary
Link to a book review of Patrick McGilligan’s biography Clint: The Life and Legend, by Eileen Jones:
Frank Sinatra – Sinatra At the Sands
Frank Sinatra With Count Basie & The Orchestra – Sinatra At the Sands Reprise 2F 1019 (1966)
Sinatra with Count Basie, arranged by Quincy Jones — what’s not to like? Well, for starters, Sinatra was starting to sound a little sluggish in his vocals, and the Basie Orchestra was kind of an anachronism by the 1960s. This is music from Sinatra the institution, and as such lumbers along in adherence to a formula that leaves little room for spontaneity or individualism. The song selection pares away the more youthful love songs in favor of quite a few about longetivity and nostalgia. Still, even if this represents the artist past their prime, it still beats most of the lounge concert records that Broadway singers without any swing released in this era. Not a great one, but fans will get reasonable enjoyment from it.