Reviews – Page 105 – Rock Salted

The Rolling Stones – The Rolling Stones

The Rolling Stones – The Rolling Stones Decca LK 4605 (1964)

The eponymous debut album by The Rolling Stones (renamed England’s Newest Hit Makers for subsequent U.S. release) is a somewhat inauspicious affair. It is full of energetic takes on American blues. The group plays with enthusiasm. Yet aside from a few hints at guitar prowess, there aren’t a whole lot of highlights here. Still, there aren’t any great missteps, and the effort to reach out across racial lines is admirable. This was about taking essentially rural music and making it more urban and palatable for middle class youth desperate for a new music to call their own. Perhaps that wasn’t the precise intent, but it was the ultimate effect. They got better quickly. What is stunning is how there are scarcely any cues here to indicate just how good they would get — or how fast they would get there.

Beck – Stereopathetic Soulmanure

Beck – Stereopathetic Soulmanure Flipside FLIP60 (1994)

Some bag on Stereopathetic Soulmanure as an inferior Beck release, but I think it’s easily one of his best albums. It’s a little rough in patches, but the eclectic songwriting is usually good and there is even some fairly good guitar playing. Beck is all over the place. From found sounds, to noise rock, to country, to folk, he tries a little of everything. But he manages to pull it off. In fact, Mellow Gold was a big step down from the creativity on display here. Beck hadn’t yet hooked up with hip-hop producers but it’s no real loss with what is found here. Is this juvenile? Yes, of course. But it manages to faithfully capture the sense of looking for something that resonates and finding the process of the search at least as interesting as anything found along the way. This has the feel of bored Southern California kids making their own entertainment — not unlike what Ariel Pink would do a few years later.

Vijay Iyer Trio – Accelerando

Vijay Iyer Trio – Accelerando ACT Music (2012)

A more mature Vijay Iyer offers something the younger Iyer did not. He melds angular, modernist attacks with smooth, easy sensibilities in a way that avoids both stilted transitions and empty new age chamber jazz posturing–sometimes the nagging limitations of his early work. Accelerando features all his strengths and none of his weaknesses. It certainly helps that bassist Stephan Crump provides a very prominent drive to the music. Covering some pop music (“Human Nature”) also reveals a grounded sense of humor. Such little touches evidence the magnanimous spirit imbuing the proceedings. This is music that is as accessible as it is vibrant. It may well be Iyer’s best offering yet.