Jedediah Purdy – The Courts are Political

Link to an interview of Jedediah Purdy conducted by Meagan Day:

“The Courts are Political”

 

Bonus links: Slavoj Žižek On Political Struggle and “Before the Law” and History of the Supreme Court of the United States and “What Is Socialism Nowadays? (Part II)” and “The New Venezuela: An Interview With Supreme Court Justice Fernando Vegas” and “The Kavanaugh Case: Sex, Lies, Privilege (and Plenty of Beer)” and “Ten Items Corroborate Dr. Blasey Ford’s Allegation Kavanaugh Tried to Rape Her” and “Why Conservatives (Still) Like Kavanaugh” and “Kavanaugh Confirmed, Supreme Court Is Instrument of Ruling-class Reaction” and “The Oligarchic Courts”

Black Panther

Black Panther

Black Panther (2018)

Walt Disney Pictures

Director: Ryan Coogler

Main Cast: Chadwick Boseman, Michael B. JordanDanai Gurira, Andy Serkis


This film is repugnant.  That is perhaps not too surprising for a contemporary superhero movie.  But Black Panther dons a particularly reprehensible mantle when it makes the “bad guy” (Erik “Killmonger” Stevens) someone pursuing basically Frantz Fanon‘s program — which inspired the real-life Black Panther Party for Self Defense, which in turn inspired the “Black Panther” comics — and makes the “good guys” a bunch of aristocrats (led by T’Challa) who resemble Aleksandr Solzhenitsyn.  What is the significance of these parallels?  Well, Fanon was an anti-capitalist while Solzhenitsyn was a shameless opportunist who ingratiated himself with rabid anti-communists to promote a restoration of tsarist autocracy.  What is the plot of Black Panther?  [spoilers] A reactionary, isolationist autocracy in the land of Wakanda is displaced by a (rightful) challenger who seeks to use Wakanda’s accumulated wealth in a quasi-communist way to benefit the oppressed around the world, but then a palace coup occurs in order to violently restore the autocracy (led by basically a Donald Trump-like neo-Bonapartist figure), prevent a radical equitable distribution of wealth and maintain a slightly modified, reformist strain of selfish, isolationist hoarding — now with a few inconsequential, token welfare programs still totally in line with the global status quo of massive inequality.  So, the best way to view this film is as a tragedy revolving around an unreliable protagonist.  The “bad guy” is really the good guy, and he loses.