Full Frontal With Samantha Bee (2016- )
Main Cast: Samantha Bee
For a time, it seemed like Samantha Bee had launched the most successful post-Colbert Report, post-Daily Show (with Jon Stewart) spinoff. It was a rare show with a feminist perspective. And yet, with her show’s unprincipled, theocratic endorsement of Hillary Clinton leading up to the 2016 Presidential Election, engaging in all the worst irrational tropes and hypocrisies, her show really undermined everything it might have achieved. The show regularly denounces Donald Trump and his supporters; Hillary Clinton and her supporters are hardly given any criticism — the tenor of the election cycle episodes has been, “well, obviously Hillary is better” without any substance to back up that sneering and superficial position. Third party candidates are occasionally mentioned, but usually only Gary Johnson of the Libertarian Party. They do mention and joke about Jill Stein of the Green Party, but usually that is to dismiss her (like a gag where they put the wrong name up in her place in a graphic that also showed Gary Johnson). But, see, anyone who watched the show before the post-primary election cycle was heavily underway might notice that Stein’s positions align much more closely with those expressed by the show’s humor. Maybe more glaringly, the show is tremendously hypocritical. Ronny Chieng, a correspondent for The Daily Show with Trevor Noah, did an October 6, 2016 segment called “The O’Reilly Factor Gets Racist in Chinatown.” He included clips from an episode of The O’Reilly Factor show in which a reporter goes to Chinatown in New York City and basically mocks the inhabitants with “gotcha” interviews (frequently with people who clearly don’t speak English, the only language the reporter seems to know). Now, such remote location “man on the street” gotchas can be done in a funny way (Robert Smigel did a “Triumph the Insult Comic Dog” bit in Quebec for Late Night With Conan O’Brien years ago that humorously insulted French-speakers in English, with an obvious nod to the fact that the interviews were preposterous). But the Full Frontal correspondents don’t do that. Instead, they do remote segments like the one on October 5, 2016 (“Rigged!”) in which they do “gotcha” interviews with patently uniformed and ignorant Trump supporters. As Paul Street put it, “Elite commentators love to mock and marginalize the childish mindset of those who think that everyday people (the rabble’) should actually be in charge of their own societal and political-economic affairs (imagine!) and thereby deprive elites of their supposed natural right to rule.” So, there were no “gotcha” interviews with patently uniformed and ignorant Clinton supporters — the audience is implicitly pushed to draw the conclusion that there are none — not to mention any of her corrupt cronies. The issue here is not that the Trump supporters are correct (the ones shown on air are mostly stupid and self-serving, at best). They aren’t, even if they have real grievances. The issue is that the show displays an obvious partisan bias, hypocritically engaging in more or less the same tactics as the Republican political far right in the service of the Democratic political center-right (and Full Frontal isn’t even on MSDNC, er, MSNBC!). Given how genuinely funny Samantha Bee is, it is a shame to watch her show sink into a mire of self-congratulatory neoliberal stumping for a particular candidate (Clinton). What a waste of talent. Perhaps the show will become interesting again once the election cycle ends. But viewers should cast a skeptical eye on it knowing what it devolved to during the 2016 election cycle.
“Mainstream feminism has adopted a thin, market-centered view of equality, which dovetails neatly with the prevailing neoliberal corporate view. So it tends to fall into line with an especially predatory, winner-take-all form of capitalism that is fattening investors by cannibalizing the living standards of everyone else. Worse still, this feminism is supplying an alibi for these predations. Increasingly, it is liberal feminist thinking that supplies the charisma, the aura of emancipation, on which neoliberalism draws to legitimate its vast upward redistribution of wealth.“
Like a magician using distraction to perform an illusion, Full Frontal focuses on one very narrow (if still important) set of issues in order to obscure and deflect attention away from numerous other extremely important issues. It’s worth thinking about what the show refuses to mock…