Links

Eric London – What Determines Social Mobility in America?

Links to articles by Eric London:

“The New York Times on Race and Class: What Determines Social Mobility in America?” and Part 2

 

Bonus links: “Why Liberals Separate Race from Class” and “Beyond the Class Ceiling: Education and Upward Social Mobility” and “America’s Political Economy: Lost Generations — Cumulative Impact of Mass Incarceration” and “Fake News on Russia and Other Official Enemies: The New York Times, 1917–2017” and Liberalism: A Counter-History and “How Obama Destroyed Black Wealth” and “Between Obama and Coates” and “How Racial Disparity Does Not Help Make Sense of Patterns of Police Violence” and Review of Class, Race and Marxism and Walter Benn Michaels on Left Neoliberalism and The Trouble With Diversity and The Condemnation of Little B and “The Controversy Surrounding the Roseanne Television Series” and “Social Class in the 21st Century“

Bonus quote:

“it is not simply a matter of seeing which account of reality best matches the ‘facts’, with the one that is closest being the least biased and therefore the best. As soon as the facts are determined, we have already — whether we know it or not — made our choice; we are already within one ideological system or another. The real dispute has already taken place over what is to count as the facts, which facts are relevant, and so on.”

Rex Butler, “What is a Master-Signifier”

Frances Stonor Saunders – Modern Art Was CIA “Weapon”

Link to an article by Frances Stonor Saunders:

“Modern Art Was CIA ‘Weapon'”

 

Bonus Links: “How the CIA Secretly Funded Abstract Expressionism During the Cold War” and Who Paid the Piper?: the CIA and the Cultural Cold War and The Cultural Cold War: The CIA and the World of Arts and Letters and Archives of Authority: Empire, Culture, and the Cold War and The Mighty Wurlitzer: How the CIA Played America and Satchmo Blows up the World: Jazz Ambassadors Play the Cold War and Dance for Export: Cultural Diplomacy and the Cold War and Cold War Modernists: Art, Literature, and American Cultural Diplomacy and Music in America’s Cold War Diplomacy and Jazz Diplomacy: Promoting America in the Cold War Era and Fall-Out Shelters for the Human Spirit: American Art and the Cold War and “Cold War Propagandist: Nicolas Nabokov, JFK, and the Shostakovich Wars” (much of this commentary is insipid, but some useful historical background is provided) and Finks: How the C.I.A. Tricked the World’s Best Writers and “The CIA Book Publishing Operations” and “Theaters of War: Hollywood in Bed with the Pentagon and the CIA” and Pulp Empire: The Secret History of Comic Book Imperialism and “Dangerous Melodies: Classical Music and US Foreign Policy in the 20th Century” and “From Fight the Power to Work for It: Chuck D, Public Enemy and How the CIA Neutralized Rap”

Some of the books above applaud the anti-communist propaganda that the CIA, State Department, and other U.S. institutions were pushing/funding, while others are more critical.

What is sort of most bizarre about all this is that the Soviets took the bait!  That is, many people in the Soviet Union did believe they were falling behind the U.S. and western nations and their abstract art (etc.), as described in Moshe Lewin‘s The Soviet Century.

Mark Hertsgaard & Mark Dowie – How Big Wireless Made Us Think That Cell Phones Are Safe

Link to an article by Mark Hertsgaard and Mark Dowie:

“How Big Wireless Made Us Think That Cell Phones Are Safe: A Special Investigation”

 

Other examples of similar industry behavior include concussions in football, leaded gasoline, certain pharmaceuticals, etc.