Tag: History

Slavoj Žižek – Three Variations on Trump Quote

“There is an even greater problem with the underlying premise of those who proclaim the ‘death of truth’: they talk as if before (say, until the 1980s), in spite of all the manipulations and distortions, truth did somehow prevail, and that the ‘death of truth’ is a relatively recent phenomenon. Already a quick overview tells us that this was not the case. How many violations of human rights and humanitarian catastrophes remained invisible, from the Vietnam War to the invasion of Iraq? Just remember the times of Reagan, Nixon, Bush… The difference was not that the past was more ‘truthful’ but that ideological hegemony was much stronger, so that, instead of today’s greater melee of local ‘truths,’ one ‘truth’ (or, rather, one big Lie) basically prevailed. In the West, this was the liberal-democratic Truth (with a Leftist or Rightist twist). What is happening today is that, with the populist wave which unsettled the political establishment, the Truth/Lie that has served as an ideological foundation for this establishment is also falling apart. And the ultimate reason for this disintegration is not the rise of postmodern relativism but the failure of the ruling establishment, which is no longer able to maintain its ideological hegemony.”

Slavoj Žižek, “Three Variations on Trump: Chaos, Europe, and Fake News”

 

Bonus links: “Fake News: How to Watch the News, Episode 03” and “The World Is Returning to Pluralism After American Hegemony, Says German Philosopher” and “Why the Democratic and Republican Establishments Can’t Stop Insurgents” and “Centrists Are Pining for a Golden Age that Never Was”

Kalundi Serumaga – On Reinventing Europe: An Open Letter to Mr George Soros

Link to an article/letter by Kalundi Serumaga:

“On Reinventing Europe: An Open Letter to Mr George Soros”

 

This pieces raises many excellent points.  But it is also worth pointing out some questionable aspects of its theoretical framework and recommendations.  First, while the article characterizes the essence of Europe as Bonapartism, it does so by applying philosophical standards that originated in Europe, or at least drew from European precedents.  While it may well be fair to call the current hegemonic ideology of Europe (and elsewhere) Bonapartist, to treat all of Europe as monolithic and without counter-currents seems rather reductionist.  Second, the “tasks for EU civil society” include “2. Find out what your countries truly owe, and make them pay it back”  This is basically both a politics of victimhood and an expression of ressentiment.  Frantz Fanon once wrote, “The colonized man is an envious man.”  That seems accurate in this context, but as a statement of limitation of vision.  The last chapter of Fanon’s Black Skin, White Masks explicitly rejected Serumaga’s approach, and that is a big part of why Fanon is a stronger theoretical reference point than what is expressed in Serumaga’s article.  Lastly, the article concludes by saying, “It is time for the North to (once again, after Ancient Egypt) learn from the South.”  This is a dubious offhand assertion of identity politics, yet again in the service of the valorization of victimhood status and ressentiment.  It is problematic mainly because, in a cynical way, “[w]e thus enter a cruel world of brutal power games masked as a noble struggle of victims against oppression.”

Tom Secker & Matthew Alford – Documents Expose How Hollywood Promotes War on Behalf of the Pentagon, CIA and NSA

Link to an article by Tom Secker & Matthew Alford:

“Documents Expose How Hollywood Promotes War on Behalf of the Pentagon, CIA and NSA”

Bonus links: Operation Hollywood: How the Pentagon Shapes and Censors the Movies and National Security Cinema: The Shocking New Evidence of Government Control in Hollywood and “National Security Cinema: The Shocking New Evidence of Government Control in Hollywood—How the US Military and CIA Go About Their Propaganda Operations” and Hollywood and the CIA: Cinema, Defense and Subversion and Guts and Glory: The Making of the American Military Image in Film and “Modern Art Was CIA ‘Weapon'” and “Washington DC’s Role Behind the Scenes in Hollywood Goes Deeper Than You Think” and “Hollywood’s Cave to China on Censorship” and “Booting a Tramp: Charlie Chaplin, the FBI and the Construction of the Subversive Image in Red Scare America” and “Theaters of War: Hollywood in Bed with the Pentagon and the CIA”