Link to an article by Frances Stonor Saunders:
Bonus Links: “How the CIA Secretly Funded Abstract Expressionism During the Cold War” and Who Paid the Piper?: the CIA and the Cultural Cold War and The Cultural Cold War: The CIA and the World of Arts and Letters and Archives of Authority: Empire, Culture, and the Cold War and The Mighty Wurlitzer: How the CIA Played America and Satchmo Blows up the World: Jazz Ambassadors Play the Cold War and Dance for Export: Cultural Diplomacy and the Cold War and Cold War Modernists: Art, Literature, and American Cultural Diplomacy and Music in America’s Cold War Diplomacy and Jazz Diplomacy: Promoting America in the Cold War Era and Fall-Out Shelters for the Human Spirit: American Art and the Cold War and “Cold War Propagandist: Nicolas Nabokov, JFK, and the Shostakovich Wars” (much of this commentary is insipid, but some useful historical background is provided) and Finks: How the C.I.A. Tricked the World’s Best Writers and “The CIA Book Publishing Operations” and Pulp Empire: The Secret History of Comic Book Imperialism and “Dangerous Melodies: Classical Music and US Foreign Policy in the 20th Century” and “From Fight the Power to Work for It: Chuck D, Public Enemy and How the CIA Neutralized Rap”
Some of the books above applaud the anti-communist propaganda that the CIA, State Department, and other U.S. institutions were pushing/funding, while others are more critical.
What is sort of most bizarre about all this is that the Soviets took the bait! That is, many people in the Soviet Union did believe they were falling behind the U.S. and western nations and their abstract art (etc.), as described in Moshe Lewin‘s The Soviet Century.