Author: Syd Fablo

The Senior Dagar Brothers – Bihag Kamboji Malkosh

Bihag Kamboji Malkosh: Calcutta 1955

The Senior Dagar Brothers – Bihag Kamboji Malkosh: Calcutta 1955 Raga Records RAGA-221AB (2000)

This release is flawed only in the manner of its recording.  As a live release, and an old one at that, there are some background noises audible and one of the brothers coughs repeatedly during the performance.  “Raga Malkosh” is only heard for the first 25 minutes, and apparently the rest of the performance was not recorded.  Fortunately, those things are only occasional annoyances and shouldn’t keep anyone away from this music.  The performance itself is fantastic.  I can’t tell the two brothers (Aminuddin Khan Dagar and Moinuddin Khan Dagar) apart on this record, but I’ve heard people comment that they trade off vocals in different pitch ranges so as to extend their collective range.  These are morning ragas, so for best effect they should be heard in the morning.  Fans of this should be sure to check out Pandit Pran Nath too.

Nick Cave & The Bad Seeds – Live Seeds

Live Seeds

Nick Cave & The Bad Seeds – Live Seeds Mute CDSTUMM122 (1993)

Live Seeds, like most offerings from Nick Cave’s middle period, is an uneven affair.  “Ship Song”, “Papa Won’t Leave You, Henry”, “From Her to Eternity” and “New Morning” are all fantastic, but elsewhere Cave and company lean far too heavily on his songwriting to do all the heavy lifting.  In a way, that saps all the energy out of the songs.  Maybe it’s a common trick artists use to regroup during a live set.  But that doesn’t help the album at all.

In short, Live Seeds is an improvement over some of Cave’s previous few studio albums, but it pales in comparison to his earliest solo albums and the best material he produced about a decade later.

Johnny Cash – The Mystery of Life

The Mystery of Life

Johnny Cash – The Mystery of Life Mercury 848 051-2 (1991)

By the early 1990s, it seemed like the world had given up on Johnny Cash.  Well, at least his record labels had all given up on him.  In an autobiography, he later claimed Mercury pressed only 500 copies of The Mystery of Life (Cash mistakenly called it The Meaning of Life), though it did scrape the bottom of the country charts.  That’s a shame, because Cash was clearly interested in recording.  His vocals sound clear and impassioned in a way that was totally lacking on most of his recordings from the late 1970s through just about all of the 1980s.  If Water From the Wells of Home was supposed to be his comeback, then it says something that this album is a step up.  It’s no winner.  It’s still a rather middling affair.  Producer “Cowboy” Jack Clement burdens this with heavy-handed production values that make all the instruments sound synthetic and artificial.  But on top of Cash’s strong vocals, the band plays well enough (if you can look past the way they are recorded).  Although the standard narrative is that Cash’s career was on the skids for decades before Rick Rubin revived it with American Recordings, this album is worth a look for fans to see that Cash was still in good form as a singer, but was always held back by everything else dumped into his records and a lack of promotion.  That is to say Rick Rubin didn’t change much when he came along, he just recorded Cash without the other clutter and otherwise let Cash himself do basically exactly what he was doing here — particularly for Unchained — and actually promoted him.  This one’s an interesting curio for those who’ve already heard Cash’s more acclaimed efforts and want to go back and fill-in some of the gaps to round out the picture.